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    In 1992 a game was released by a developer started by Louis Castle and Brett Sperry, then called "Westwood Studios" their game was titled "Dune II: the Battle for Arrakis."  (see North American box art and gameplay video clip below) Taken from the epic styles of traditional war-games past like those of publisher Avalon Hill, specifically their game Dune. The game has up to six players, select a race, build a stronghold and attack your opponents for resources and power. The object of the game is to seize opponents strongholds. This is done with a player driven strategy of economics, military, religion, and treacherous diplomacy. The Dune video game had one primary difference. Rather than turn-based systems of the Avalon Hill games, the video game is meant to be occurring in "real-time", that is, without turns. The core gameplay of Westwood's Dune II involved picking a race, building a stronghold, and taking over opponents strongholds. The real-time elements centered around three major activities, building and upgrading units and strongholds, managing and gathering resources for military and industrial needs, and finally, combat with opponents and sand-worms.

    Let that not diminish the sheer genius of the collective iterative innovation of the RTS game type itself. Unlike other styles of videogames RTS puts the player in charge of an army of his/her own creation and sets them free in a virtual sandbox to play. Though "Dune II" did have one predecessor, a little known title called "Herzog Zwei" in which the player commanded individual units in an effort to destroy their opponent's base. What is most interesting from a storytelling standpoint was the perspective, or seeming lack there of, the games seemed to have little to do with the stories of individual characters, they exist somewhere between 2nd person omnipotent and 3rd person and allowed the player to 'command vast armies'. From it's inception the stories for RTS where all seemingly war-based, even 1st generation RTS titles like Blizzard entetertainment's groundbreaking 1994 fantasy game "Warcraft: Orcs and Humans" was nevertheless about war.